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루키노 비스콘티의 <베니스에서의 죽음 Morte a Vnezia> 연구 - 영화의 구조와 그 기능적 역할 -

Author
조수진
Journal Title
현대영화연구
Publication Year
2008
Summary

This paper examines how Luchino Visconti's film *Death in Venice* differs from the original novel and what devices are used to provide viewers with an aesthetic experience. The film dramatically portrays the anguish and conflict of the protagonist, Aschenbach, and his passionate fascination, presenting both the beauty of moderation and beautiful misery.

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문학작품의 영상화, 혹은 다양한 기호체계들의 협주 - 토마스 만의 소설 『베니스에서의 죽음』과 루키노 비스콘티의 영화를 중심으로

김륜옥 · 2007

독어교육

혼종 지역성에 의한 영화 <베니스에서의 죽음>의 형이상학적 미학

신사빈 · 2017

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Rewritings, adaptations, and gay literary criticism: Thomas Mann's death in Venice

Wilper, J.P. · 2015

Adaptation

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