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에코의 삼중분절을 통한 영화<스파이더맨3>의 색채분석

Author
최윤선
Journal Title
한국디자인포럼
Publication Year
2007
Summary

This study analyzes the cultural and semiotic meanings of color in the film based on Umberto Eco's theory of tripartition. Color functions as an important element in producing semiotic meanings within the film text and generating the inherent ideology, while color research remains insufficient despite the development of digital technology. This research aims to present an alternative role of color to contribute to creative filmmaking.

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