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아날로그 비디오의 시간, 공간, 관람성-하네케와 고다르 영화에서의 반영성을 중심으로-

Author

이선주

Journal Title

현대영화연구

Publication Year

2017

Topics

#Analog signal

Summary

This paper examines the medium specificity of analogue video in relation to cinema’s spectatorship and self-reflexivity. It elucidates the characteristics of analogue video from temporal, spatial, and spectatorship perspectives, and analyzes its impact on cinematic narrative and montage through the self-reflexive use of video in the works of Haneke and Godard. Analogue video reflected cinematic spectatorship, transformed the aesthetic value of film by rearranging its images in time and space, and anticipated the possibilities of digital media.

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