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영화 <춘향전>의 <춘향전> 수용 양상과 이본으로서의 특징 --임권택의 <춘향뎐>을 중심으로

Author
서보영
Journal Title
문학치료연구
Publication Year
2017
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Summary

This study focuses on the contribution of Im Kwon-taek's film *Chunhyangjeon* to the tradition of *Chunhyangga* by creating a new genre called "Pansori movie." The film constructs its narrative by reconstructing Cho-sanghyun's version and incorporating various previous versions, and it cinematically adapts the characteristics of Pansori to stimulate audience interest and concretize the time and space setting. Im Kwon-taek produced a new *Chunhyangjeon* based on his artistic experience gained from *Pansori Chunhyangga*, which holds significant meaning in the process of transmitting *Chunhyangjeon*.

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영화 &lt;춘향전&gt;의 &lt;춘향전&gt; 수용 양상과 이본으로서의 특징 --임권택의 &lt;춘향뎐&gt;을 중심으로

"비전임"_사범대 · 2017

문학치료연구

판소리 사설에서 영화로의 매체변용 양상 연구 - <춘향뎐>(임권택, 2000)의 ‘방자 - 시퀀스’ 분석 - The study on media transformation aspects of the language of film as pansori - ‘bangja - Sequence’ analysis of the (1999) -

박우성 · 2016

한민족문화연구

판소리 사설에서 영화로의 매체변용 양상 연구 - <춘향뎐>(임권택, 2000)의 ‘방자 - 시퀀스’ 분석 -

박우성 · 2016

한민족문화연구

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