SNU Big Data Knowledge Information Platform
Full Menu
AI
Your Browsing History
22 More
loading...
Report registration
Paper List
안톤 체홉 「갈매기」의 메타연극적 특성과 시노그래피 연구 –공연 적용 사례를 중심으로-
Author
진창주, 조준희
Journal Title
기초조형학연구
Publication Year
2020
Topics
Summary
This study reconsiders Anton Chekhov's "The Seagull" from a meta-theatrical perspective and suggests the possibility of a new contemporary interpretation and directorial expression of the meta-theatricality through the scenography of practical performances. Utilizing techniques such as play within a play, role playing, and scene transition, the study visualizes the layers of fiction and reality, raises the issue of dual identity of characters, and creates an alienation effect that breaks the audience's immersion in dramatic illusion.
Related Content
LikeSNU analyzes your query semantically to recommend related resources.
-
Analytic philosophy and the world of the play
-
Shakespearean tragedy and its double : the rhythms of audience response
-
Contemporary mise en scène : staging theatre today
-
Generating theatre meaning : a theory and methodology of performance analysis
-
Shakespeare, spectatorship and the technologies of performance
-
The Dark Comedy: the development of modern comic tragedy
-
Shakespeare and this "imperfect" world : dramatic form and the nature of knowing
-
(연기교육자, 연출가) 박탄고프
-
Shakespearean temporalities : history on the early modern stage
-
Shakespeare in parts
-
Shakespearean metadrama : the argument of the play in Titus Andronicus, Love's labour's lost, Romeo and Juliet, A midsummer night's dream, and Richard II
-
실상(實像)과 허상(虛像)사이
-
Performing emotions : gender, bodies, spaces, in Chekhov's drama and Stanislavski's theatre
-
Towards an ecocritical theatre : playing the anthropocene
-
Digital performance : a history of new media in theater, dance, performance art, and installation
-
Theory of performing arts
-
The theatrical event : a mythos, a vocabulary, a perspective
-
The play within the play : the performance of meta-theatre and self-reflection
-
Intermedial theater : performance philosophy, transversal poetics, and the future of affect
-
The art of theater
Previous
Next
Previous
Next