This study attempts a bibliographic arrangement of modern magazines based on novels published in *DongYangjikwang* from January 1939 to January 1945, and analyzes the writing strategies of Korean and Japanese writers. It aims to capture the diversity of *DongYangjikwang* by analyzing how policy discourses in the magazine were accepted and shaped in the works, and the differences shown in the works of Koreans and Japanese. The research confirmed the publication of works reflecting imperial collaboration, national literature, enlightenment of modern intellectuals, and depictions of modern landscapes of the colonial era.